Posts Tagged ‘sydney’


Long Reef Balck & White.
Sydney, Australia

http://bit.ly/1M60r2X


Still finding new ways to process this shoot. Although this wasn’t a blend just put a FB description of my simple technique when I need to blend vs HDR…

http://bit.ly/1vtotks


A photo from last year at Kiama during one of the best sunrise I had seen in 2014.

I got to this spot just in time to capture this amazing moment. The tide and swell was low that day, I had to be extra patient to wait for the bigger wave to come in.

After a few tries, I captured the wave action that appears to have wings and it’s going to fly out.

I hope you like this one.

http://bit.ly/160ANfV



Dear Light Lovers,
Back with the morning collection from Bombo Quarry. That place is just amazing and I cant stop planning another trip. It was a wonderful morning drive (started at 2:30 am) from Sydney and we reached well on time except for my filter pouch……….
Well we continued shooting there for an hour or so, and the clouds and diffused light just made it a great morning.
Coming to this shot, well as the name goes, it was taken in Bombo Quarry. It was a morning of frenzy and Zee is from my friend Lin Zee who can be seen up agaist the tallest rocks, getting that perfect shot.
Enjoy the Light.
Happy Australia Day to all my Aussie mates.

http://bit.ly/1uPmAOy


I went to Whale Beach on Sydney’s northern beaches this morning and luckily got there on time to catch an amazing sunrise.

Recent skies have been flat or raining.
Tide was low but the swell was big and had it constantly clean spray from the filters.
Was enjoyable morning.

http://bit.ly/1za3TqA


Out early to catch the sunrise as these fishermen do the same but for fish.

Yet another excursion out with Bipphy Kath on his 3 days in Sydney late last year.

Portfolio | Sets | FB

http://bit.ly/1JGhIg6


Hello Friends,
Welcome back to the Light show. Presenting a shot from a recent visit to Sydney.
We reached Sydney on a rainy day and I was all prepared for a sunset shoot which got washed away in the rain. I was pretty determined to wake up early and make the best of the sunrise. But, as always happens(not always actually) I got up at 5AM and convinced myself that it was just a routine sunrise and slept again but woke up after 30 minutes and now convinced myself to get going. The sun was up and above and as I walked around the Opera House area, I was not sure how I could give this a different perspective.
So, out comes the little fisheye to give things a different perspective. I had wanted to shoot the two icons: Harbour Bridge and Opera House in a single frame but somehow could never get a convincing composition.
This O made it happen as I could get both the icons in a single frame.
I liked the fluffy cloud coer just floating in the sky.
Have a Great Weekend and for my Aussie mates: Happy Australia Day

http://bit.ly/1yekOBd


After a couple days hibernating at home after a busy 2 months in Asia, I’m finally getting back into photography in Sydney! I haven’t seen our skyline in almost two months, oh how I’ve missed it.

Jørn Utzon, the architect of the Sydney Opera House never expressly stated what exactly its iconic roof depicts. The commonly prevailing view is that they are billowing sails set on the world’s most beautiful harbour, though many more interpretations exist.

Indeed, one such view is that they are in fact orange peels. Whether this is true or not, we may never know, but we do know that Utzon solved the great riddle of the roof with an orange peel. Previously, no-one knew how to build these massive, curvaceous structures detailed in the winning competition sketches. Three years of engineering work by Arup, undisputedly the world’s greatest engineering firm were fruitless, until Utzon realised during one lunch break (with an orange in hand!), that by putting together identical pre-fabricated segments in different arrangements, you could build vastly different structures with ease.

The Sydney Opera House to this day remains the world’s largest enclosed space without interior supporting columns and was the first building in the world to utilise computers to assist in design and construction.

http://bit.ly/1BMpsOn


After a couple days hibernating at home after a busy 2 months in Asia, I’m finally getting back into photography in Sydney! I haven’t seen our skyline in almost two months, oh how I’ve missed it.

Jørn Utzon, the architect of the Sydney Opera House never expressly stated what exactly its iconic roof depicts. The commonly prevailing view is that they are billowing sails set on the world’s most beautiful harbour, though many more interpretations exist.

Indeed, one such view is that they are in fact orange peels. Whether this is true or not, we may never know, but we do know that Utzon solved the great riddle of the roof with an orange peel. Previously, no-one knew how to build these massive, curvaceous structures detailed in the winning competition sketches. Three years of engineering work by Arup, undisputedly the world’s greatest engineering firm were fruitless, until Utzon realised during one lunch break (with an orange in hand!), that by putting together identical pre-fabricated segments in different arrangements, you could build vastly different structures with ease.

The Sydney Opera House to this day remains the world’s largest enclosed space without interior supporting columns and was the first building in the world to utilise computers to assist in design and construction.

http://bit.ly/1BMpsOn